74 bars of 4/4 at a walking 90 BPM, 3:11 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 5-9, 11 and 13, and 10 more places -- 32.9% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
7 fills to learn, played 9 times: bars 25, 38, 39, 49, 55, 61 and 3 more.
4 more fills are written out on the fills page.
74 bars across 12 sections: 55 keep time, 9 are fills, 1 is a stop and 4 are silent. The longest unbroken stretch of time is bars 26-36.
90 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 32 out of 100; the rest of the number is everything around it.
74 bars, about 3:11 at the written tempo. The course breaks it into 25 exercises over 6 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 9 times: bars 25, 38, 39, 49, 55, 61 and 3 more.