151 bars of 4/4 at 133 BPM, about 4:32 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 9-11, 13-15 and 17-19, and 20 more places -- 34.3% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
3 fills to learn, played 8 times: bars 25, 26, 42, 76, 108, 114 and 2 more.
151 bars across 9 sections: 121 keep time, 8 are fills, 2 are stops and 14 are silent. The longest unbroken stretch of time is bars 121-150.
133 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 49 out of 100; the rest of the number is everything around it.
151 bars, about 4:32 at the written tempo. The course breaks it into 21 exercises over 7 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 8 times: bars 25, 26, 42, 76, 108, 114 and 2 more.