121 bars at 242 BPM -- fast, and 1:59 of it without a break -- on crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 18-20, 22-24 and 26-28, and 8 more places -- 33.6% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
3 fills to learn, played 6 times: bars 41, 49, 81, 89, 109 and 121.
121 bars across 14 sections: 88 keep time, 6 are fills, 1 is a stop and 8 are silent. The longest unbroken stretch of time is bars 18-32.
242 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 48 out of 100; the rest of the number is everything around it.
121 bars, about 1:59 at the written tempo. The course breaks it into 36 exercises over 11 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 6 times: bars 41, 49, 81, 89, 109 and 121.