128 bars of 4/4 at a walking 105 BPM, 4:53 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 48-54, 56-61 and 82-88, and 1 more place -- 21.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 23 times: bars 11, 13, 15, 26, 40, 42 and 17 more.
8 more fills are written out on the fills page.
128 bars across 14 sections: 73 keep time, 25 are fills, 12 are stops and 3 are silent. The longest unbroken stretch of time is bars 1-10.
105 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
62 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 42 out of 100; the rest of the number is everything around it.
128 bars, about 4:53 at the written tempo. The course breaks it into 49 exercises over 16 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 23 times: bars 11, 13, 15, 26, 40, 42 and 17 more.