95 bars of 4/4 at a walking 105 BPM, 3:36 of playing, on crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 22-23, 27 and 29, and 14 more places -- 20.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 11 times: bars 36, 38, 39, 40, 46, 58 and 5 more.
1 more fill is written out on the fills page.
95 bars across 13 sections: 73 keep time, 11 are fills, 1 is a stop and 4 are silent. The longest unbroken stretch of time is bars 1-17.
105 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 50 out of 100; the rest of the number is everything around it.
95 bars, about 3:36 at the written tempo. The course breaks it into 28 exercises over 9 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 11 times: bars 36, 38, 39, 40, 46, 58 and 5 more.