60 bars of 4/4 at a walking 84 BPM, 2:51 of playing, on crash, hi-hat, snare, high tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 3-6, 15-18 and 31-34, and 2 more places -- 30.9% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
4 fills to learn, played 12 times: bars 7, 8, 11, 12, 23, 24 and 6 more.
60 bars across 7 sections: 37 keep time, 12 are fills and 5 are silent. The longest unbroken stretch of time is bars 54-60.
84 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
71 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 27 out of 100; the rest of the number is everything around it.
60 bars, about 2:51 at the written tempo. The course breaks it into 22 exercises over 8 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 12 times: bars 7, 8, 11, 12, 23, 24 and 6 more.