210 bars at 170 BPM -- fast, and 4:54 of it without a break -- on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 19, 21 and 23, and 12 more places -- 7.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 27 times: bars 1, 41, 44, 45, 47, 48 and 21 more.
9 more fills are written out on the fills page.
210 bars across 33 sections: 129 keep time, 27 are fills, 13 are stops and 20 are silent. The longest unbroken stretch of time is bars 26-38.
170 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 61 out of 100; the rest of the number is everything around it.
210 bars, about 4:54 at the written tempo. The course breaks it into 82 exercises over 24 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 27 times: bars 1, 41, 44, 45, 47, 48 and 21 more.