98 bars of 4/4 at a walking 96 BPM, 4:03 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 3, 5 and 7-12, and 2 more places -- 21.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 26 times: bars 1, 31, 38, 39, 40, 49 and 20 more.
6 more fills are written out on the fills page.
98 bars across 11 sections: 58 keep time, 26 are fills, 2 are stops and 1 is silent. The longest unbroken stretch of time is bars 2-26.
96 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 28 out of 100; the rest of the number is everything around it.
98 bars, about 4:03 at the written tempo. The course breaks it into 38 exercises over 11 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 26 times: bars 1, 31, 38, 39, 40, 49 and 20 more.