107 bars of 4/4 at a walking 108 BPM, 3:58 of playing, on crash, hi-hat, snare, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 5-6, 8-9 and 11-12, and 9 more places -- 19.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
4 fills to learn, played 12 times: bars 7, 10, 13, 47, 49, 50 and 6 more.
107 bars across 12 sections: 75 keep time, 12 are fills, 2 are stops and 4 are silent. The longest unbroken stretch of time is bars 95-106.
108 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 50 out of 100; the rest of the number is everything around it.
107 bars, about 3:58 at the written tempo. The course breaks it into 31 exercises over 10 sittings, about 27 minutes each.
crash, hi-hat, snare, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 12 times: bars 7, 10, 13, 47, 49, 50 and 6 more.