180 bars at 213 BPM -- fast, and 3:20 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 32-38, 48-54 and 64-69 -- 11.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 22 times: bars 6, 7, 8, 23, 31, 39 and 16 more.
8 more fills are written out on the fills page.
180 bars across 24 sections: 114 keep time, 22 are fills, 12 are stops and 11 are silent. The longest unbroken stretch of time is bars 122-134.
213 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 30 out of 100; the rest of the number is everything around it.
180 bars, about 3:20 at the written tempo. The course breaks it into 65 exercises over 16 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 22 times: bars 6, 7, 8, 23, 31, 39 and 16 more.