186 bars of 4/4 at a walking 100 BPM, 7:26 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 6-20 and 114-128 -- 16.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
16 fills to learn, played 20 times: bars 5, 21, 39, 47, 65, 69 and 14 more.
12 more fills are written out on the fills page.
186 bars across 16 sections: 135 keep time, 20 are fills, 11 are stops and 4 are silent. The longest unbroken stretch of time is bars 82-97.
100 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 69 out of 100; the rest of the number is everything around it.
186 bars, about 7:26 at the written tempo. The course breaks it into 62 exercises over 15 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
16 fills to learn, played 20 times: bars 5, 21, 39, 47, 65, 69 and 14 more.