44 bars, 2:21, at 75 BPM: slow enough that every note is exposed. Crash, hi-hat, snare, mid tom and kick and nothing else.
The beat the song is built on is a 2-bar phrase, played through bars 9-11, 14 and 25-26, and 2 more places -- 25% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
4 fills to learn, played 8 times: bars 10, 12, 13, 28, 29, 32 and 2 more.
44 bars across 5 sections: 23 keep time, 8 are fills and 8 are silent. The longest unbroken stretch of time is bars 18-27.
75 BPM, in 4/4, with the time kept in sixteenth notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
45 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 47 out of 100; the rest of the number is everything around it.
44 bars, about 2:21 at the written tempo. The course breaks it into 15 exercises over 4 sittings, about 30 minutes each.
crash, hi-hat, snare, mid tom and kick. Nothing in the part asks for anything else.
4 fills to learn, played 8 times: bars 10, 12, 13, 28, 29, 32 and 2 more.