144 bars at 180 BPM -- fast, and 3:12 of it without a break -- on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 17-19, 22-24 and 38-40, and 10 more places -- 31.7% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
15 fills to learn, played 31 times: bars 8, 15, 16, 41, 42, 52 and 25 more.
11 more fills are written out on the fills page.
144 bars across 13 sections: 93 keep time, 31 are fills, 2 are stops and 5 are silent. The longest unbroken stretch of time is bars 22-35.
180 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
51 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 34 out of 100; the rest of the number is everything around it.
144 bars, about 3:12 at the written tempo. The course breaks it into 53 exercises over 15 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
15 fills to learn, played 31 times: bars 8, 15, 16, 41, 42, 52 and 25 more.