165 bars, 9:00, at 72 BPM: slow enough that every note is exposed. Crash, hi-hat, snare, mid tom, floor tom and kick and nothing else.
The beat the song is built on is one bar, played through bars 9-19, 53-54 and 57-67, and 1 more place -- 19.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
11 fills to learn, played 21 times: bars 20, 28, 36, 44, 52, 68 and 15 more.
7 more fills are written out on the fills page.
165 bars across 15 sections: 86 keep time, 21 are fills, 35 are stops and 9 are silent. The longest unbroken stretch of time is bars 54-67.
72 BPM, in 4/4, with the time kept in sixteenth notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
37 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 3 out of 100; the rest of the number is everything around it.
165 bars, about 9:00 at the written tempo. The course breaks it into 46 exercises over 10 sittings, about 29 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 21 times: bars 20, 28, 36, 44, 52, 68 and 15 more.