91 bars at 165 BPM -- fast, and 2:30 of it without a break -- on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 14-21, 24-25 and 40-47, and 4 more places -- 32.5% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
6 fills to learn, played 10 times: bars 13, 23, 27, 39, 49, 53 and 4 more.
3 more fills are written out on the fills page.
91 bars across 7 sections: 65 keep time, 10 are fills, 2 are stops and 11 are silent. The longest unbroken stretch of time is bars 68-81.
165 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
47 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 46 out of 100; the rest of the number is everything around it.
91 bars, about 2:30 at the written tempo. The course breaks it into 22 exercises over 5 sittings, about 30 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 10 times: bars 13, 23, 27, 39, 49, 53 and 4 more.