103 bars of 4/4 at 145 BPM, about 2:50 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 9-11, 13-15 and 17-23, and 3 more places -- 27.4% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
5 fills to learn, played 12 times: bars 16, 32, 36, 40, 49, 65 and 6 more.
1 more fill is written out on the fills page.
103 bars across 12 sections: 70 keep time, 12 are fills, 2 are stops and 8 are silent. The longest unbroken stretch of time is bars 17-24.
145 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 42 out of 100; the rest of the number is everything around it.
103 bars, about 2:50 at the written tempo. The course breaks it into 28 exercises over 9 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 12 times: bars 16, 32, 36, 40, 49, 65 and 6 more.