66 bars of 4/4 at a walking 82 BPM, 3:16 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 5, 7 and 9, and 6 more places -- 14.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
11 fills to learn, played 34 times: bars 4, 12, 16, 17, 20, 22 and 28 more.
7 more fills are written out on the fills page.
66 bars across 5 sections: 20 keep time, 34 are fills, 5 are stops and 3 are silent. The longest unbroken stretch of time is bars 5-11.
82 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 54 out of 100; the rest of the number is everything around it.
66 bars, about 3:16 at the written tempo. The course breaks it into 23 exercises over 7 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 34 times: bars 4, 12, 16, 17, 20, 22 and 28 more.