137 bars at 158 BPM -- fast, and 3:28 of it without a break -- on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 25-31, 33-35 and 37-39, and 6 more places -- 26.2% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
5 fills to learn, played 8 times: bars 16, 32, 48, 64, 88, 104 and 2 more.
1 more fill is written out on the fills page.
137 bars across 11 sections: 108 keep time, 8 are fills, 3 are stops and 7 are silent. The longest unbroken stretch of time is bars 2-15.
158 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
51 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 32 out of 100; the rest of the number is everything around it.
137 bars, about 3:28 at the written tempo. The course breaks it into 40 exercises over 12 sittings, about 25 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 8 times: bars 16, 32, 48, 64, 88, 104 and 2 more.