63 bars at 165 BPM -- fast, and 1:43 of it without a break -- on crash, ride, hi-hat, snare, high tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 34-40 -- 12.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 17 times: bars 2, 3, 4, 10, 16, 17 and 11 more.
5 more fills are written out on the fills page.
63 bars across 6 sections: 24 keep time, 17 are fills, 10 are stops and 7 are silent. The longest unbroken stretch of time is bars 35-40.
165 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
47 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 21 out of 100; the rest of the number is everything around it.
63 bars, about 1:43 at the written tempo. The course breaks it into 25 exercises over 7 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 17 times: bars 2, 3, 4, 10, 16, 17 and 11 more.