43 bars of 4/4 at 118 BPM, about 1:25 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 11-12, 14 and 16, and 3 more places -- 16.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 7 times: bars 1, 9, 10, 22, 24, 26 and 1 more.
1 more fill is written out on the fills page.
43 bars across 7 sections: 26 keep time, 7 are fills, 4 are stops and 1 is silent. The longest unbroken stretch of time is bars 2-8.
118 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 24 out of 100; the rest of the number is everything around it.
43 bars, about 1:25 at the written tempo. The course breaks it into 25 exercises over 7 sittings, about 24 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 7 times: bars 1, 9, 10, 22, 24, 26 and 1 more.