47 bars, 2:45, at 66 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot and nothing else.
The beat the song is built on is one bar, played through bars 6, 8 and 13, and 10 more places -- 30.2% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
7 fills to learn, played 9 times: bars 5, 9, 14, 22, 26, 30 and 3 more.
3 more fills are written out on the fills page.
47 bars across 4 sections: 28 keep time, 9 are fills, 3 are stops and 4 are silent. The longest unbroken stretch of time is bars 35-43.
66 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
61 out of 100, a step up from a first song, and the work is in how fine the subdivision is. The beat itself is 31 out of 100; the rest of the number is everything around it.
47 bars, about 2:45 at the written tempo. The course breaks it into 16 exercises over 5 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 9 times: bars 5, 9, 14, 22, 26, 30 and 3 more.