65 bars, 3:28, at 75 BPM: slow enough that every note is exposed. Crash, hi-hat, snare, mid tom, floor tom and kick and nothing else.
The beat the song is built on is one bar, played through bars 49-55 and 57-63 -- 31.1% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
3 fills to learn, played 4 times: bars 39, 40, 44 and 64.
65 bars across 8 sections: 25 keep time, 4 are fills, 11 are stops and 20 are silent. The longest unbroken stretch of time is bars 50-63.
75 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
56 out of 100, a step up from a first song, and the work is in how much of it falls off the beat. The beat itself is 54 out of 100; the rest of the number is everything around it.
65 bars, about 3:28 at the written tempo. The course breaks it into 20 exercises over 7 sittings, about 22 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 4 times: bars 39, 40, 44 and 64.