110 bars of 4/4 at a walking 90 BPM, 4:53 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 35-37, 39-41 and 49-51, and 2 more places -- 14% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
14 fills to learn, played 20 times: bars 16, 22, 28, 34, 38, 42 and 14 more.
10 more fills are written out on the fills page.
110 bars across 10 sections: 70 keep time, 20 are fills, 2 are stops and 10 are silent. The longest unbroken stretch of time is bars 53-59.
90 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
70 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 47 out of 100; the rest of the number is everything around it.
110 bars, about 4:53 at the written tempo. The course breaks it into 46 exercises over 14 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 20 times: bars 16, 22, 28, 34, 38, 42 and 14 more.