147 bars of 4/4 at a walking 82 BPM, 7:10 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 8-10, 12 and 14-15, and 9 more places -- 14.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 16 times: bars 20, 24, 57, 61, 72, 73 and 10 more.
3 more fills are written out on the fills page.
147 bars across 14 sections: 110 keep time, 16 are fills, 1 is a stop and 6 are silent. The longest unbroken stretch of time is bars 112-145.
82 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 33 out of 100; the rest of the number is everything around it.
147 bars, about 7:10 at the written tempo. The course breaks it into 42 exercises over 16 sittings, about 25 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 16 times: bars 20, 24, 57, 61, 72, 73 and 10 more.