178 bars at 200 BPM -- fast, and 3:32 of it without a break -- on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 27-42 and 77-83 -- 13.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 14 times: bars 49, 50, 66, 67, 84, 133 and 8 more.
5 more fills are written out on the fills page.
178 bars across 16 sections: 103 keep time, 14 are fills, 47 are stops and 3 are silent. The longest unbroken stretch of time is bars 6-25.
200 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 43 out of 100; the rest of the number is everything around it.
178 bars, about 3:32 at the written tempo. The course breaks it into 46 exercises over 11 sittings, about 28 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 14 times: bars 49, 50, 66, 67, 84, 133 and 8 more.