166 bars of 4/4 at 120 BPM, about 5:32 of playing, on crash, ride, hi-hat, snare, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 99-130 and 151-166 -- 28.9% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
3 fills to learn, played 12 times: bars 20, 36, 44, 60, 71, 72 and 6 more.
166 bars across 6 sections: 147 keep time, 12 are fills and 1 is a stop. The longest unbroken stretch of time is bars 99-132.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 45 out of 100; the rest of the number is everything around it.
166 bars, about 5:32 at the written tempo. The course breaks it into 29 exercises over 9 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 12 times: bars 20, 36, 44, 60, 71, 72 and 6 more.