138 bars of 4/4 at 125 BPM, about 4:27 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 10-11, 13 and 17, and 6 more places -- 12.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 11 times: bars 6, 24, 26, 27, 28, 60 and 5 more.
6 more fills are written out on the fills page.
138 bars across 17 sections: 99 keep time, 11 are fills, 3 are stops and 2 are silent. The longest unbroken stretch of time is bars 32-44.
125 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 16 out of 100; the rest of the number is everything around it.
138 bars, about 4:27 at the written tempo. The course breaks it into 60 exercises over 16 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 11 times: bars 6, 24, 26, 27, 28, 60 and 5 more.