150 bars of 4/4 at a walking 104 BPM, 5:46 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 69-72, 77-79 and 81-87, and 3 more places -- 16.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 14 times: bars 8, 35, 36, 60, 61, 62 and 8 more.
4 more fills are written out on the fills page.
150 bars across 14 sections: 115 keep time, 14 are fills and 4 are silent. The longest unbroken stretch of time is bars 103-125.
104 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
66 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 51 out of 100; the rest of the number is everything around it.
150 bars, about 5:46 at the written tempo. The course breaks it into 54 exercises over 19 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 14 times: bars 8, 35, 36, 60, 61, 62 and 8 more.