36 bars of 4/4 at 150 BPM, about 0:56 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 5, 12-14 and 16-18, and 1 more place -- 28.1% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
6 fills to learn, played 13 times: bars 4, 9, 11, 19, 20, 21 and 7 more.
3 more fills are written out on the fills page.
37 bars across 5 sections: 17 keep time, 13 are fills and 5 are silent. The longest unbroken stretch of time is bars 13-18.
150 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 53 out of 100; the rest of the number is everything around it.
36 bars, about 0:56 at the written tempo. The course breaks it into 16 exercises over 4 sittings, about 29 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 13 times: bars 4, 9, 11, 19, 20, 21 and 7 more.