56 bars of 3/4 -- not four -- at 150 BPM, 1:36 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 9-11, 13-15 and 17-19, and 1 more place -- 23.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 13 times: bars 4, 5, 6, 7, 8, 12 and 7 more.
3 more fills are written out on the fills page.
56 bars across 6 sections: 34 keep time, 13 are fills, 1 is a stop and 4 are silent. The longest unbroken stretch of time is bars 26-32.
150 BPM, in 3/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 47 out of 100; the rest of the number is everything around it.
56 bars, about 1:36 at the written tempo. The course breaks it into 23 exercises over 6 sittings, about 30 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 13 times: bars 4, 5, 6, 7, 8, 12 and 7 more.