125 bars at 187 BPM -- fast, and 2:41 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 7, 9 and 11, and 16 more places -- 17.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
20 fills to learn, played 46 times: bars 6, 8, 10, 12, 13, 14 and 40 more.
16 more fills are written out on the fills page.
125 bars across 14 sections: 45 keep time, 46 are fills, 8 are stops and 15 are silent. The longest unbroken stretch of time is bars 39-48.
187 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 31 out of 100; the rest of the number is everything around it.
125 bars, about 2:41 at the written tempo. The course breaks it into 50 exercises over 13 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
20 fills to learn, played 46 times: bars 6, 8, 10, 12, 13, 14 and 40 more.