120 bars at 172 BPM -- fast, and 2:47 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 9-13, 15 and 39, and 5 more places -- 17.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
4 fills to learn, played 6 times: bars 84, 88, 104, 106, 110 and 111.
120 bars across 12 sections: 87 keep time, 7 are fills and 10 are stops. The longest unbroken stretch of time is bars 48-63.
172 BPM, in 4/4, with the time kept in thirty-second notes. At that speed the thirty-second notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
80 out of 100. Hard, and what makes it hard is how many notes a second it asks for. The beat itself is 60 out of 100; the rest of the number is everything around it.
120 bars, about 2:47 at the written tempo. The course breaks it into 48 exercises over 18 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 6 times: bars 84, 88, 104, 106, 110 and 111.