102 bars of 4/4 at a walking 80 BPM, 5:06 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 19-21, 27-29 and 31, and 7 more places -- 27.4% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
9 fills to learn, played 29 times: bars 14, 18, 22, 26, 30, 32 and 23 more.
5 more fills are written out on the fills page.
102 bars across 10 sections: 54 keep time, 29 are fills, 6 are stops and 7 are silent. The longest unbroken stretch of time is bars 67-73.
80 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 43 out of 100; the rest of the number is everything around it.
102 bars, about 5:06 at the written tempo. The course breaks it into 33 exercises over 10 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 29 times: bars 14, 18, 22, 26, 30, 32 and 23 more.