120 bars of 4/4 at a walking 99 BPM, 4:51 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 5-17, 19-25 and 27-28, and 7 more places -- 30.4% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
7 fills to learn, played 19 times: bars 3, 4, 34, 35, 36, 40 and 13 more.
6 more fills are written out on the fills page.
120 bars across 11 sections: 86 keep time, 19 are fills, 1 is a stop and 5 are silent. The longest unbroken stretch of time is bars 6-28.
99 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 33 out of 100; the rest of the number is everything around it.
120 bars, about 4:51 at the written tempo. The course breaks it into 35 exercises over 12 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 19 times: bars 3, 4, 34, 35, 36, 40 and 13 more.