105 bars of 4/4 at 127 BPM, about 3:17 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 15, 17 and 19, and 9 more places -- 11.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
18 fills to learn, played 43 times: bars 9, 11, 12, 14, 18, 22 and 37 more.
14 more fills are written out on the fills page.
105 bars across 13 sections: 50 keep time, 43 are fills, 3 are stops and 3 are silent. The longest unbroken stretch of time is bars 1-8.
127 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
87 out of 100. Hard, and what makes it hard is how many notes a second it asks for. The beat itself is 70 out of 100; the rest of the number is everything around it.
105 bars, about 3:17 at the written tempo. The course breaks it into 48 exercises over 18 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
18 fills to learn, played 43 times: bars 9, 11, 12, 14, 18, 22 and 37 more.