102 bars of 4/4 at a walking 87 BPM, 5:06 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 14-21, 34-36 and 38-40 -- 16.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
4 fills to learn, played 33 times: bars 25, 45, 46, 47, 48, 60 and 27 more.
2 more fills are written out on the fills page.
102 bars across 7 sections: 44 keep time, 33 are fills, 3 are stops and 16 are silent. The longest unbroken stretch of time is bars 26-40.
87 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
65 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 44 out of 100; the rest of the number is everything around it.
102 bars, about 5:06 at the written tempo. The course breaks it into 26 exercises over 10 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 33 times: bars 25, 45, 46, 47, 48, 60 and 27 more.