142 bars at 250 BPM -- fast, and 2:17 of it without a break -- on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 1-4, 6 and 23-31, and 3 more places -- 18.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 21 times: bars 14, 22, 36, 37, 38, 50 and 15 more.
4 more fills are written out on the fills page.
142 bars across 14 sections: 88 keep time, 25 are fills and 10 are stops. The longest unbroken stretch of time is bars 115-126.
250 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 2 out of 100; the rest of the number is everything around it.
142 bars, about 2:17 at the written tempo. The course breaks it into 45 exercises over 11 sittings, about 27 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 21 times: bars 14, 22, 36, 37, 38, 50 and 15 more.