170 bars of 4/4 at a walking 85 BPM, 7:56 of playing, on crash, hi-hat, snare, high tom, mid tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 61, 63 and 65, and 17 more places -- 12.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 23 times: bars 19, 20, 22, 26, 27, 28 and 17 more.
3 more fills are written out on the fills page.
170 bars across 15 sections: 106 keep time, 23 are fills, 13 are stops and 9 are silent. The longest unbroken stretch of time is bars 67-99.
85 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
79 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 60 out of 100; the rest of the number is everything around it.
170 bars, about 7:56 at the written tempo. The course breaks it into 45 exercises over 17 sittings, about 24 minutes each.
crash, hi-hat, snare, high tom, mid tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 23 times: bars 19, 20, 22, 26, 27, 28 and 17 more.