100 bars, 6:21, at 63 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, mid tom, floor tom and kick and nothing else.
The beat the song is built on is a 2-bar phrase, played through bars 9-15, 29-31 and 33-35, and 4 more places -- 25% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
12 fills to learn, played 17 times: bars 8, 16, 28, 32, 36, 48 and 11 more.
8 more fills are written out on the fills page.
100 bars across 10 sections: 71 keep time and 17 are fills. The longest unbroken stretch of time is bars 18-26.
63 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
68 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 54 out of 100; the rest of the number is everything around it.
100 bars, about 6:21 at the written tempo. The course breaks it into 41 exercises over 13 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 17 times: bars 8, 16, 28, 32, 36, 48 and 11 more.