144 bars of 4/4 at a walking 107 BPM, 5:23 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 3, 7 and 15, and 8 more places -- 13.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
19 fills to learn, played 47 times: bars 4, 12, 13, 16, 18, 26 and 41 more.
15 more fills are written out on the fills page.
144 bars across 13 sections: 80 keep time and 47 are fills. The longest unbroken stretch of time is bars 91-103.
107 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 46 out of 100; the rest of the number is everything around it.
144 bars, about 5:23 at the written tempo. The course breaks it into 58 exercises over 16 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
19 fills to learn, played 47 times: bars 4, 12, 13, 16, 18, 26 and 41 more.