290 bars of 4/4 at 118 BPM, about 10:56 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 25-31, 34 and 36, and 11 more places -- 8.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
32 fills to learn, played 98 times: bars 18, 42, 58, 62, 64, 65 and 92 more.
28 more fills are written out on the fills page.
290 bars across 26 sections: 118 keep time, 98 are fills, 13 are stops and 31 are silent. The longest unbroken stretch of time is bars 25-41.
118 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
76 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 44 out of 100; the rest of the number is everything around it.
290 bars, about 10:56 at the written tempo. The course breaks it into 117 exercises over 43 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
32 fills to learn, played 98 times: bars 18, 42, 58, 62, 64, 65 and 92 more.