64 bars of 4/4 at a walking 80 BPM, 2:47 of playing, on crash, ride, hi-hat, snare, high tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 4-8 and 17-22 -- 17.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 18 times: bars 9, 12, 15, 16, 23, 32 and 12 more.
4 more fills are written out on the fills page.
64 bars across 8 sections: 28 keep time, 18 are fills, 11 are stops and 2 are silent. The longest unbroken stretch of time is bars 3-8.
80 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
69 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 44 out of 100; the rest of the number is everything around it.
64 bars, about 2:47 at the written tempo. The course breaks it into 26 exercises over 8 sittings, about 29 minutes each.
crash, ride, hi-hat, snare, high tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 18 times: bars 9, 12, 15, 16, 23, 32 and 12 more.