83 bars of 4/4 at a walking 97 BPM, 3:25 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 1, 3-7 and 23, and 5 more places -- 28.9% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
5 fills to learn, played 11 times: bars 22, 44, 60, 61, 62, 63 and 5 more.
1 more fill is written out on the fills page.
83 bars across 11 sections: 57 keep time, 11 are fills and 1 is a stop. The longest unbroken stretch of time is bars 1-7.
97 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 40 out of 100; the rest of the number is everything around it.
83 bars, about 3:25 at the written tempo. The course breaks it into 28 exercises over 9 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 11 times: bars 22, 44, 60, 61, 62, 63 and 5 more.