82 bars of 4/4 at 126 BPM, about 2:36 of playing, on crash, snare, mid tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 37-38, 44-45 and 51-52, and 4 more places -- 20.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
1 fill to learn, played 31 times: bars 1, 2, 3, 4, 5, 6 and 25 more.
82 bars across 3 sections: 44 keep time, 31 are fills, 3 are stops and 4 are silent. The longest unbroken stretch of time is bars 37-65.
126 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
51 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 32 out of 100; the rest of the number is everything around it.
82 bars, about 2:36 at the written tempo. The course breaks it into 5 exercises over 3 sittings, about 24 minutes each.
crash, snare, mid tom and kick. Nothing in the part asks for anything else.
1 fill to learn, played 31 times: bars 1, 2, 3, 4, 5, 6 and 25 more.