125 bars of 4/4 at 139 BPM, about 3:35 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 94-96, 98-100 and 102-108, and 3 more places -- 21.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 10 times: bars 19, 33, 50, 59, 63, 67 and 4 more.
5 more fills are written out on the fills page.
125 bars across 13 sections: 84 keep time, 10 are fills, 7 are stops and 12 are silent. The longest unbroken stretch of time is bars 94-123.
139 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
67 out of 100: demanding, mostly on how fine the subdivision is. The beat itself is 66 out of 100; the rest of the number is everything around it.
125 bars, about 3:35 at the written tempo. The course breaks it into 35 exercises over 9 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 10 times: bars 19, 33, 50, 59, 63, 67 and 4 more.