62 bars, 3:25, at 72 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick and nothing else.
The beat the song is built on is one bar, played through bars 6-7, 10-11 and 26-27, and 8 more places -- 36.2% of every bar the kit plays. Learn that one and most of the song is already under your hands.
11 fills to learn, played 12 times: bars 8, 15, 23, 24, 28, 33 and 6 more.
7 more fills are written out on the fills page.
62 bars across 6 sections: 39 keep time, 12 are fills, 2 are stops and 4 are silent. The longest unbroken stretch of time is bars 34-40.
72 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
50 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 32 out of 100; the rest of the number is everything around it.
62 bars, about 3:25 at the written tempo. The course breaks it into 25 exercises over 6 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 12 times: bars 8, 15, 23, 24, 28, 33 and 6 more.