127 bars of 4/4 at a walking 100 BPM, 5:05 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 30, 34 and 50, and 26 more places -- 22.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 13 times: bars 9, 17, 21, 25, 33, 37 and 7 more.
4 more fills are written out on the fills page.
127 bars across 9 sections: 94 keep time, 20 are fills and 3 are stops. The longest unbroken stretch of time is bars 84-96.
100 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
48 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 26 out of 100; the rest of the number is everything around it.
127 bars, about 5:05 at the written tempo. The course breaks it into 41 exercises over 11 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 13 times: bars 9, 17, 21, 25, 33, 37 and 7 more.