160 bars at 175 BPM -- fast, and 3:39 of it without a break -- on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 4, 6 and 8, and 15 more places -- 11.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
18 fills to learn, played 49 times: bars 2, 3, 7, 9, 11, 27 and 43 more.
14 more fills are written out on the fills page.
160 bars across 17 sections: 89 keep time, 49 are fills, 3 are stops and 7 are silent. The longest unbroken stretch of time is bars 13-26.
175 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 59 out of 100; the rest of the number is everything around it.
160 bars, about 3:39 at the written tempo. The course breaks it into 65 exercises over 18 sittings, about 27 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
18 fills to learn, played 49 times: bars 2, 3, 7, 9, 11, 27 and 43 more.