198 bars at 200 BPM -- fast, and 3:58 of it without a break -- on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 54-59, 62-67 and 114-119, and 5 more places -- 19.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 23 times: bars 17, 18, 19, 20, 21, 22 and 17 more.
5 more fills are written out on the fills page.
198 bars across 22 sections: 133 keep time, 23 are fills, 9 are stops and 4 are silent. The longest unbroken stretch of time is bars 157-179.
200 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 35 out of 100; the rest of the number is everything around it.
198 bars, about 3:58 at the written tempo. The course breaks it into 60 exercises over 19 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 23 times: bars 17, 18, 19, 20, 21, 22 and 17 more.