115 bars of 4/4 at 120 BPM, about 3:50 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 6-13, 18-25 and 34-41, and 1 more place -- 29.6% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
4 fills to learn, played 12 times: bars 54, 55, 56, 57, 58, 59 and 6 more.
115 bars across 13 sections: 77 keep time, 12 are fills, 2 are stops and 7 are silent. The longest unbroken stretch of time is bars 78-92.
120 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
64 out of 100, a step up from a first song, and the work is in how fine the subdivision is. The beat itself is 52 out of 100; the rest of the number is everything around it.
115 bars, about 3:50 at the written tempo. The course breaks it into 33 exercises over 12 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 12 times: bars 54, 55, 56, 57, 58, 59 and 6 more.